galapagos, wherefore art thine standards?

excerpts from the cinematic underground's promo card:

Scene III. My Dear Self
Wherein we find, astonishingly, our agonist - driving his Self home.
...
Scene IX. The Face of the Girl [Like Glass]
In which He meets Her at a park and sees hope.

oh sad! in later scenes the Airport beckons him and, alas and lo, a decision is reached.

~

this could be interesting -- from jeffrey hutsler's web page -- music cognition vs. language cognition paper. was expected to be published in cognition; a cursory search didn't turn it up, maybe it's elsewhere? the blurb was from 2003, so don't know what happened.